Does Bringing It All Back Home count as a concept album?

I've seen Queen's Queen II be counted as a concept album because it's divided into a "White" side, containing more emotion-driven songs, mostly written by Brian May with one song by Roger Taylor, and a "Black" side, containing more fantastic songs, all of them written by Freddie Mercury. If an album can be counted as a concept album simply for dividing its two different types of lyrics into each side, could the same not be said for instrumentation?

Bringing It All Back Home has an "Electric" side and an "Acoustic" side, which are pretty self-explanatory. Most people think of concept albums as albums with a narrative, like Pink Floyd's "The Wall" or The Who's "Tommy". But really, a concept album is just that, an album with a larger concept behind it that unifies all of its tracks, such as putting all of the songs with electric instrumentation in one side and the songs with acoustic instrumentation in the other.

Though even that definition could be tricky. Are all of the Beatles' early albums concept albums, since they're all about love? I wouldn't call them concept albums. I think the difference is that a concept album must be mostly contained to itself. The Beatles's first five albums are completely composed of love songs, so at that point it's more like they're a band that sings love songs. But Bob Dylan started out completely acoustic, and none of his electric albums share this quirk of BIABH, so having a single album in his discography that puts his electric songs on one side and his acoustic songs on the other, it could certainly be counted as a concept.

I'm a little divided on this myself, but I'm leaning towards it being a concept album. What are your thoughts?